Sonic Travels with Lynden Bassett and Ben Marston

eight musicians holding brass instruments so against a chain linked fence that surrounds a basketball court. Palm trees tower int he background.
Textured divide

Coming up this week we have the final instalment of Ainslie Salon, this time with a taste of everything. From funk, hip-hop to indie and beyond – Ainslie Salon: Sonic Travels keeps you journeying through different musical worlds over 4 nights, right here in the heart of Canberra.

We caught up with two Sonic Travels acts, Lynden Bassett and Ben Marston of Brass Knuckle Brass Band for a quick chat on what they love, how they create and who they are excited to see this coming weekend at Ainslie Salon.

A figure stands in front of a green leafy background, the top part of their face is light by sunlight, the bottom is in the shade.

Lynden Bassett

What can people expect from the set you’ll be performing at Ainslie Salon: Sonic Travels?  

Loud noises and samples! I’m trying to cook up something unique for each solo performance at the moment, but loud noises and samples and feedback are the fundamental tools. 

Who has had the greatest impact on your development as an artist?  

The person who springs to mind immediately is Ben Weinman, guitarist for the Dillinger Escape Plan. Dillinger were (and still are) massively important for me as a teenager, just musically, but the way Ben wrapped DIY methods and politics into that band continues to be very inspiring and guiding for me. Other artists who have had huge impacts on me are Karina Utomo and Jennifer Walshe. 

What are you most looking forward to in regards to your upcoming performance at Ainslie Salon: Sonic Travels?  

Honestly the thing I’m most looking forward to about playing Ainslie Salon is supporting and seeing Senyawa. Them and some of their label mates are very exciting for me so it would be radical just to see them play! I’m also excited to share the noise work I’m doing. It brings together the “composition” and “punk music” spheres of my work, which have been pretty separate until recently. 

How would you describe the Canberra music scene you are a part of and which local performers do you think people should know about?  

If you don’t know Thantu Thikha definitely try to catch them live! Young people doing very sick and politically conscious hardcore. Also look out for Yona Su, who has been doing important and explicitly political work in classical music here. Always keep an eye out for Richard Johnson and any SoundOut events too! Box Dye too. Many people worth mentioning! 

When you’re not creating music, how do you like to spend your time?   

I like reading and I like spending time with my friends. I do a lot of organising work, there’s always something like that on the boil. I’m trying to find the time to listen to more new music, this seems to slip away from me… 

eight musicians holding brass instruments so against a chain linked fence that surrounds a basketball court. Palm trees tower int he background.

Brass Knuckle Brass Band

What can people expect from the set you’ll be performing at Ainslie Salon: Sonic Travels?

With Brass Knuckle Brass Band it is always a party. Our roots are firmly planted in New Orleans where this kind of instrumentation was literally developed on the streets however we like to incorporate elements from hip-hop, funk, world music and surprisingly enough for a brass band techno. Dancing is the name of the game and if you have never danced to a brass band it is definitely something you should try.

Who has had the greatest impact on your development as an artist?

As mentioned before you can’t play in a group like this and not be strongly influenced by the city of New Orleans. In particular the groups of the new wave brass band era, The Rebirth Brass Band and The Dirty Dozen Brass Band. We also pay close attention to some of the groups from the UK and Europe, a British tuba player by the name of Theon Cross and Gallowstreet, a band from the Netherlands.

What are you most looking forward to in regards to your upcoming performance at Ainslie Salon: Sonic Travels?  

In Canberra it is always great to find new places to play and although we have played at Ainslie before it was a long time ago. The chance to help new people discover the joys of dancing to an acoustic brass band is always a motivating factor. The bottom line is, we always just want a chance to play!

How would you describe the Canberra music scene you are a part of and which local performers do you think people should know about?  

Bear with us on this one; The music scene in Canberra is a bit like the south coast of NSW 30 years ago. Back then you could go to some of the most incredible beaches in the world, which we all know is not an understatement, spend an entire day swimming, surfing, doing beach stuff all for the price of half a tank of fuel, a small tent and an esky full of food and drink. You could do all this and basically have it all to yourself.

A local BKBB favourite is always Citizen Kay. We always enjoy a chance to collaborate. There are many players in the local jazz scene that we recommend people check out and rather than highlight a few we recommend people give Canberra jazz the attention it deserves. There are some genuine national treasures right here. We also hear that there is a really good polka band that only comes out at Oktoberfest events? Something to do with pork knuckles? We’re not sure but apparently they’re pretty good too…

When you’re not creating music, how do you like to spend your time?  

There is definitely a lot of parenting going on right now. But when we get time away from that and practice there is a fair bit of ale tasting and we have a resident food critic who passionately samples most of Canberra’s post gig eating options. So much so that one of his compositions for the band is named after his favourite dish!

Ainslie Salon: Sonic Travels runs from Wednesday 23 November – Saturday 26 November at Ainslie Arts Centre. See the link below for more details.

Book tickets

Arts Capital presents the Ainslie Salon series and is supported by ACT Government through the 2022 Amp! It Up Fund.